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Headed by the same architecture firm who built the Louis Armstrong house in 1910, the project broke ground this summer and will include a state-of-the-art exhibition gallery and a 68-seat jazz club when completed. Today, the internationally renowned Louis Armstrong House Museum in Corona, Queens, announced the official opening date of its new state-of-the-art building, preserving and expanding the legacy and ideals of America’s first Black popular music icon. Armstrong’s values of Artistic Excellence, Education and Community will be fostered in Here to Stay, the new Center’s exhibition, curated by award-winning pianist, composer and Kennedy Center Artistic Director for Jazz, Jason Moran. One wouldn’t know from the sidewalk that the interior of the house is a more or less perfect reflection of the Armstrongs’ life circa 1969, when Lucille made her final round of renovations during her husband’s lifetime with the help of her interior decorator, Morris Grossberg. Armstrong’s half-empty bottle of Lanvin cologne still sits on the dresser in the master bedroom; their old Electrolux vacuum cleaner is still stashed in a hallway closet.
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Those are the times I feel closest to him, like he’s right there on the block,” Riccardi said. “You can hear street noise, birds outside the window, hear kids playing in the street.” It started to sound like the verse of a very familiar song. The day before the block party, workers halted construction on the forthcoming Louis Armstrong House Museum Research Collections to place a hard hat atop the head of Wynton Marsalis, who was filming a segment for ESPN. Recently Tony Bennett, who in 1970 painted the remarkable portrait of Armstrong displayed in his second-floor study—signed Benedetto—came by to borrow the painting for an exhibit.
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Their new suburban block was home to African-American, German, and Italian working-class families, and Armstrong was delighted. Raised in one of the poorest neighborhoods in New Orleans, he felt instantly at home in Corona. Following Louis Armstrong’s death in 1971, Lucille spent 12 years as a widow in the same house. When she passed away in 1983, she left everything to the Louis Armstrong Educational Foundation, Inc. and the house to the City of New York.
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Architecture Review: The Louis Armstrong House Museum - Curbed
Architecture Review: The Louis Armstrong House Museum.
Posted: Wed, 20 Sep 2023 07:00:00 GMT [source]
Caples Jefferson Architects designed the 14,000-square-foot building, staying mindful of the Armstrongs’ love for their community and their neighbors on the block. Explore more of the life and career of Louis Armstrong from anywhere, anytime with the Louis Armstrong House Museum digital guide on Bloomberg Connects, the free arts and culture app. The historic Armstrong home is open for tours by advance registration, Thursdays through Saturdays.
Among its steadfast champions was the museum's former Board chair, philanthropist Jerome Chazen, who died last year. That their dream finally came to fruition, after more than two decades of hopeful planning, is a testament to the strength of that vision — and the efforts of those who carried it forward. "We're thankful for the community that raised us up," says Regina Bain, Executive Director of the House Museum. "It's all in the spirit of Louis and Lucille — because they made such an impact on this community, and on this block, that people wanted to fight for this space." Perhaps most touching is Armstrong’s pure and undying affinity for his neighborhood. While Corona may seem like an unlikely place to house a museum, no other location would be appropriate to honor Armstrong’s legacy.
A longtime neighbor suffered a heart attack over the weekend—Tomas Tavarez, an older Dominican-American man whom I’d noticed watching the music from his porch just a week earlier. The house is a gem frozen in time, as if the Armstrongs have just stepped out. The museum offers daily guided tours to visitors from around the world and features a variety of programs, including concerts, lectures, and seminars. Recently, we were invited to take part in a house tour, which took us through the Armstrongs’ living room, bedroom, bathroom, kitchen and den (deemed Louis’ “man cave”). From the moment we stepped inside, it was evident that Armstrong’s essence completely saturates the house. Strolling through each room slowly, we were given the unique opportunity to see how he lived and where his genius was fostered.
Louis Armstrong is a definitive arbiter of Jazz and America’s first Black popular music icon, entertaining millions from heads of state and royalty to the kids on his stoop in the working-class neighborhood of Corona, Queens. The Louis Armstrong House Museum preserves his legacy by offering guided tours of the historic home and preserving Armstrong’s 60,000-piece archives. The brand-new Louis Armstrong Center, located across the street from the historic home, will further help celebrate his legacy by offering year-round exhibitions, performances, readings, lectures, and screenings through an array of public programs for all ages. It now includes the home itself that reflects the personal values of Louis Armstrong and the garden that serves as a place for gatherings and a place for live performances. The Louis Armstrong Educational Foundation donated the Armstrong archives in the 1980s and provided the funds to purchase the lot on which the new Center sits. CUNY and Queens College officials, working with state and city legislators and executive offices, led the advocacy for the funding of the $26 million building across the street from the original Armstrong home.
Satchmo's Wonderful World: Louis Armstrong Center Amplifies An Artist's Vision - The New York Times
Satchmo's Wonderful World: Louis Armstrong Center Amplifies An Artist's Vision.
Posted: Thu, 03 Aug 2023 07:00:00 GMT [source]

Heraldo’s home is a time capsule too, currently serving as office space for museum staff, and, during the summer jazz concerts and block party, a green room for the band. Louis called her “Little Dynamite” even though, at 5 feet 6 inches, he was not much taller than she; the museum programmers relied on her for public speaking and impromptu recollections. Open to the public since fall 2003, the Louis Armstrong House Museum is an exuberantly decorated time capsule, a window into the down-to-earth life of an artist, a pivotal period of music history. It is also both a portal to a neighborhood’s past and a link to its future. The Museum also recently launched an outreach program to local schools, providing trumpet lessons, made possible by a donation of musical instruments from Ken Karnofsky, a descendant of the same family who helped Armstrong buy his first instrument. Ticketing and information about all of the museum’s events and programs can be found at here.
Louis Armstrong House Museum Celebrates 80th Anniversary with New Center Opening in Queens, NY

For those eager to delve deeper into LAHM’s cultural offerings, guided tours are available starting at 1pm, with the last tour departing at 5pm. This National Historic Landmark museum welcomes its new addition across the street during Black Music Month and the 80th anniversary of Louis and Lucille Armstrong moving to the legendary jazz trumpeter & singer’s restored home. Visitors have included Wynton Marsalis, Quincy Jones, Tony Bennett, Charlie Watts, Ken Burns, Jon Batiste, Ron Howard, Bette Midler and many more.
Since 2003, this National Historic Landmark has been open to the public weekly for individual and group tours with support provided by the Louis Armstrong Educational Foundation, NYC Department of Cultural Affairs, Queens College/CUNY, and other lead donors and partners. Louis Armstrong was already a worldwide star — a seasoned headliner with a Hollywood profile — when his wife, Lucille, surprised him with the purchase of a modest house in Corona, Queens, in 1943. He got his first glimpse of the place fresh off tour, rolling up in a taxicab. (He invited the cab driver to come in and check it out with him.) "The more Lucille showed me around the house the more thrill'd I got," Armstrong later wrote. Discover the city’s most unique and surprising places and events for the curious mind.
No two rooms are alike — “I guess ‘Rococo’ is the word I could use without losing my job,” Harris said of the overall aesthetic — though many are surprisingly modest, especially given Armstrong’s larger-than-life presence. He is the only person ever to have hit records in the ’20s, ’30s, ’40s, ’50s and ’60s. He played behind the Iron Curtain during the Cold War and in the Democratic Republic of Congo during decolonization in 1960, during which both sides of a civil war called a truce to watch him perform, then picked up fighting again once his plane took off. The gold sconces offer a glimmer of opulence, but the walls themselves are covered in a subdued, cream-colored wallpaper — the same wallpaper that covered them at least 50 years ago. It matches the upright piano standing against one wall, and the two twill couches. There’s also a small TV — one of the first on the block — that sits low to the floor, so that the neighborhood children whom Armstrong would invite over (he never had kids of his own) could sit comfortably on the floor to watch Westerns.